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The best teachers are also good actors! Skills relating to vocal expression, bodily actions, role playing, and the use of space and props need to be honed. Techniques for generating surprise, creating suspense, and using humor in the classroom are other acting skills to master.

Use the Acting Moduleto help develop these important competencies...

 

 

Vocal (Voice) Expression

A.1.1 The Complete Teacher™ is sensitive to any personal speech characteristics that might distract from the teaching/learning process and works to overcome these impediments.

A.1.2 The Complete Teacher™ appreciates the voice's role in communication and works to maintain his/her own vocal fitness.

A.1.3 The Complete Teacher™ will deliberately incorporate variations in vocal pitch in order to improve verbal communication with students.

A.1.4 The Complete Teacher™ will deliberately raise or lower voice volume in order to achieve a particular communication goal.

A.1.5 The Complete Teacher™ will make adjustments in the quality of his/her voice in order to make a point, convey a feeling or achieve some other desired goal.

A.1.6 The Complete Teacher™ will deliberately vary the rate at which syllables and/or words and/or sentences are spoken in order to make a point or otherwise enhance student learning.

A.1.7 The Complete Teacher™ will select the appropriate form(s) and degree(s) of vocal (voice) expression to use when communicating with students in a variety of teaching/learning situations.

Nonverbal (Physical) Expression

 A.2.1 The Complete Teacher™ is sensitive to and avoids sending nonverbal signals that can distract from the teaching/learning process.

 A.2.2 The Complete Teacher™ will use facial expressions and eye contact to help communicate with students.

 A.2.3 The Complete Teacher™ will use physical gestures as an aid to communication.

 A.2.4 The Complete Teacher™ will communicate with students through appearance and variations in posture.

 A.2.5 The Complete Teacher™ will move about the room in order to enhance various aspects of the teaching/learning process.

A.2.6 The Complete Teacher™ will select the appropriate form(s) and degree(s) of nonverbal (physical) expression to use when communicating with students in a variety of teaching/learning situations.

Physical (Classroom) Space

 A.3.1 The Complete Teacher™ is aware of the communicative effect of physical space between interacting peoples (proxemics) and uses this knowledge to advantage during the teaching/learning process.

 A.3.2 The Complete Teacher™ is cognizant of classroom acoustics and will make sure that students can hear what is spoken.

 A.3.3 The Complete Teacher™ is cognizant of sight lines within the classroom and will make sure that students are able to see what needs to be seen.

 A.3.4 The Complete Teacher™ will deliberately position him/herself within the classroom (blocking) in order to make a point or otherwise enhance student attentiveness and learning.

Physical and Instructional Props

 A.4.1 The Complete Teacher™ is aware of the various types of physical and instructional props that can be brought into the classroom and uses this knowledge to advantage during the teaching/learning process.

 A.4.2 The Complete Teacher™ will practice with all physical props prior to their actual use in the classroom.

 A.4.3 The Complete Teacher™ will test all instructional props prior to using them to communicate within the classroom setting.

 A.4.4 The Complete Teacher™ will use physical props to secure and hold students' attention.

 A.4.5 The Complete Teacher™ will use physical props to help convey information to students.

 A.4.6 The Complete Teacher™ will sometimes use students as props in order to enhance the learning process.

Role-Playing

 A.5.1 The Complete Teacher™ has formulated a clear conception of what it is like to look and act the part of a teacher and is able to perform that role accordingly.

 A.5.2 The Complete Teacher™ will sometimes assume the role of narrator and/or the identity of one or more characters when storytelling or reading stories to students.

 A.5.3 The Complete Teacher™ will sometimes use role-playing techniques in order to attract and hold student attention.

 A.5.4 The Complete Teacher™ will sometimes use role-playing techniques in order to convey information to students.

 A.5.5 The Complete Teacher™ will sometimes use role-playing techniques to stimulate discussion and to better communicate with students.

Generating Surprise

 A.6.1 The Complete Teacher™ will use the unexpected (cognitive dissonance) as a pedagogical tool to gain students' attention.

 A.6.2 The Complete Teacher™ will use the unexpected (cognitive dissonance) as a pedagogical tool to maintain attentiveness by relieving boredom.

 A.6.3 The Complete Teacher™ is aware of the impact that dramatic surprise techniques can have upon students' senses and looks for opportunities to incorporate these techniques into his/her lessons.

Creating Suspense

 A.7.1 The Complete Teacher™ will use intrigue as a pedagogical tool to gain and hold student interest.

 A.7.2 The Complete Teacher™ will create sufficient tension within the classroom to prevent student from becoming complacent.

 A.7.3 The Complete Teacher™ is aware of the impact that dramatic suspense techniques can have upon students' senses and looks for opportunities to incorporate these techniques into his/her lessons.

Using Humor

 A.8.1 The Complete Teacher™ is aware of the various categories of humor that can be brought into the classroom and uses this knowledge to advantage during the teaching/learning process.

 A.8.2 The Complete Teacher™ will use constructive humor in establishing rapport with his/her students.

 A.8.3 The Complete Teacher™ will use constructive humor as way to soothe difficult classroom moments.

 A.8.4 The Complete Teacher™ will use constructive humor to put students at ease and to encourage them to take risks within the classroom setting.

 A.8.5 The Complete Teacher™ will select the appropriate form(s) and degree(s) of humor to use when communicating with students in a variety of teaching/learning situations.

Acting Palette